Petrov vodkin biography of martin

The ancient Russian icon, the Italian Renaissance, Cubism, Fauvism, Post-Impressionism - all these influences intertwined in search of an artist and became a mainstay in his own sincere, direct study of the world, people. Never refusing figurativeness, Petrov-Vodkin boldly experimented with pure color and flat forms, with mystical, cosmic perspectives and symbolic subjects.

The artist gained his own style not in schools and museums although he studied painting skill for a very long time and persistentlybut in traveling, studying faces and figures, gestures and actions. Kuzma Petrov-Vodkin is a man of the earth. Stepping firmly and growing into the ground with his steps, he felt a connection with her.

Petrov vodkin biography of martin: Petrov-Vodkin's birthplace was a small

In the African deserts and in the viscous ash of Vesuvius, in the Breton forests and dusty roads of Samarkand, he pawed invisible, winding lines that sew together the universal truth, once lost, divided into national traits and traditions. Kuzma Petrov-Vodkin - the man of the cosmos. The insights, forebodings, foreseen visions were for him the same real, intertwined in the life line of events, like studying at a school or a revolution in the country.

Under the Sun or under the Moon - he felt at home anywhere, wherever he went.

Petrov vodkin biography of martin: It is believed that Petrov-Vodkin

Everywhere it was the same Sun and the same Moon, and the same planet with a rounded, promising cosmic infinity horizon. He considered the restoration of ties, earthly and heavenly, inter-ethnic and social, the connections of form and color to be the main work of the artist. Beginning of life Kuzma was a long-awaited child. For him, they crafted a cradle and painted it with blue patterns.

Grandmothers, parents, uncles, and sometimes neighbors fled to this cradle, as soon as he spoke. His father, Sergei Vodkin, was a shoemaker, and his mother worked as a nanny, and later as a servant in the house of a local merchant. Far from both capitals, Khvalynsk, where Petrov-Vodkin was born, was an ordinary provincial town. Here former serfs, once lost in the cards, lived, Old Believers, who fled away from Moscow.

Here the Old Believers and the Orthodox served one rich man - and before lunch they prayed in turn. Some are for themselves, others are for themselves. Here they often looked at the sky and told the children about the device of the Universe the truth and fiction, were afraid of eclipse, beat their wives, slept in the summer under the open sky, read books until they scattered and rubbed into holes, floated in the Volga and got together to watch on stargazing.

Petrov vodkin biography of martin: Museum Art Reproductions Hand, by

Here they knew only about two types of artists: Old Believers' icon painters and painters, signboards. Peredvizhniki, of course, did not reach here. He also met at this time Victor Borisov-Musatovan important painter resident in Saratov, who encouraged Petrov-Vodkin to continue his studies. He graduated in While in Paris in he met and married Maria Jovanovic —a daughter of Serbian immigrant hotel-keepers.

She remained his lifelong companion. They had two daughters, one of whom died [unverified] in childhood. Even during his college years, Petrov-Vodkin managed to enter into conflict with the Russian Orthodox Churchwhich discarded his work on a chapel in Samara and ultimately destroyed it as unacceptable. A number of his early works were deemed too erotic.

His first well-known work was The Dreamwhich sparked a discussion among contemporary Russian artists. The main defender of the painting was Alexandre Benois ; his main detractor was Ilya Repin hence, Petrov-Vodkin was discussed by two of the major Russian painters of the time. Other major works of that time include Boys at play, and, notably, Bathing of a Red Horse, his most iconic work - a symbol of the coming social changes.

InPetrov-Vodkin contracted pulmonary tuberculosis and had to curtail painting for several years. He turned to literature and wrote three major semi-autobiographical volumes, Khvalynsk, Euclids Space and Samarkandia. The first two of these are considered on a par with the finest Russian literature of the time. In the spring of the Central Committee of the Communist Party decreed that all existing literary and artistic groups and organizations should be disbanded and replaced with unified associations of creative professions.

Accordingly, the Leningrad Union of Artists was established on 2 Augustwhich brought the history of post-revolutionary art to a close. The epoch of Soviet art began. Death of the Commissioner. First steps. There Valentin Serov became his mentor. The first self-portrait of the future genius belongs to this period. In Aprilthe painter went on a bicycle to Munich.

Having given his vehicle to a fellow traveler in Warsaw, he reached his destination by train and on foot. In an effort to know the world, in By the age of 28, he already masterfully mastered painting techniques and drawing techniques. Sleeping baby.