Laurie gamache biography

A Chorus Line Broadway Production Cassie replacement: May 18, - Apr 28, A Chorus Line International Tour Judy understudy replacement:? Bebe understudy replacement:? Cassie understudy replacement:? Kristine replacement:? Lois replacement:? A Chorus Line National Tour Kristine understudy replacement:? Kim not in opening night programs. Private Audio.

Performance Hallelujah, Baby! Regional Tour Cast in Washington, D. Not only does the character encounter stiff competition from younger, prettier dancers, she also discovers that the choreographer who will select the dancers is a former lover who was the one who once pushed her to be a star. The two have a particularly volatile scene that reflects their current feelings for each other.

Every performance of A Chorus Line recreates an audition for a Broadway show. The audition starts out with 24 dancers, who hope to be picked by Zach the laurie gamache biography, for one of eight positions. Zach puts them through their paces, literally, through a merciless interrogation about their lives, hopes, dreams, fears and fantasies. Along the way, the audience gets to learn a lot more about each of the hopeful dancers and perhaps a little about human nature as the message of rejection and aging become important components in each life.

Because the show reflects a real-life situation, none of the dancers leave the stage until they are cut from the line. They did not have the opportunity to train and love dance, music, etc. I dedicated my performance that evening at the Shubert to the visualization that their physical stuggle was far greater than what I was facing before 1, audience members, and I let God carry me through that sequence with utter spiritual abandon.

Not only did I get a standing ovation that evening, but Sir Richard Attenborough was out in the audience none of us knewand afterwards, the stage door man announced that I had visitors coming back to my dressing room. I opened the door, and there was Sir Richard! I exclaimed my surprise, and with his beautiful, open face, he kissed my face European style, on both cheeks and said, 'you're brilliant, and we will be seeing you soon'.

You see, he was casting the film at that time. With Sir Richard, I had respected his work so much because he was so genuine. Alyson got the role and I did about 5 weeks of work on the picture. It wasn't the Cassie that we all know love. When I give clinics and see young people coming up in the business, we work on the fundamentals as a triple threat; dance, voice and acting.

But like that Saturday night, there is a beautiful spiritual aspect of performing when God does carry you, and the ultimate beauty for me, on top of dedicating my performance to those with great challenges, was dancing to the fantastic orchestra down in the pit, carrying me as well with their excellence in playing 'The Music and the Mirror'.

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Wanda Richert "The most special memory that I have of playing Cassie is one I hold very near and dear to my heart. It didn't happen during a performance. It is the memory of a special exchange I had with Michael Bennett at a note session with him after the show in San Francisco. It waslong before my Broadway run as Cassie. I was one of the cast of the 1st National Touring Company.

I had just turned twenty-one years old. I was absolutely thrilled! I had set my sights on that role from the first time I saw the show at the Shubert Theater, with my mom, when I was sixteen. From the top of the show, we both said, 'The girl in the red dress Michael came out to LA about three weeks after I joined the company. He proceeded to fire four of the seven actors who were hired at the same time that I was.

The rumors were true. He was someone to fear. It was time for me to dance for him and it was definitely the most nervous I had been in my life! God sang and danced for me that afternoon. Half way through the number, Michael stopped me and said, 'Thank you darling, that's all I need to see. He left, we had our day off,and I returned to the theater the next day to be told that Michael wanted me on the line as soon as there was an opening.

I was made the first cover to Cassie, Sheila, Val, Judy and Christine, which ultimately, led to me permanently replacing Cheryl Clark as Cassie when she left the show in Chicagomy home town.

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A year into my run, Michael came up to Boston to check on the cast and hold a brush-up rehearsal. I had never been to an acting class, nor had I studied vocally. Michael became my acting teacher and my vocal coach. He honored my talent in such a special way. I learned so very much, as an actress, from him. Rehearsals with him were exciting and priceless.

From that point in time on, I found a new exhilaration in the role that I never tired of. Angelique Ilo "I have many wild memories but I have tried to go with what flashed to mind first. It is set up, staged, planned as a supremely vulnerable moment and it works on ALL levels. The fear and panic screams through your psyche and manifests itself within your body, evidenced by your legs which are now involuntarily shaking and your mouth, now a desert.

My next flash that next comes to mind I'm setting up for the pirouette section I have one laurie gamache biography of eight to take my last breaths and pray Because at this point, I needed a stretcher. I am the dance captain and swing Oceans of love to the cast of the revival. Laurie Gamache "I have a pretty long history with the show and it is so hard to separate out one thing for you.

I left my parents' home to join the National Tour and by the time the show closed, I was almost as old as Cassie. The one moment that stands out in my mind is the day they put my picture up outside the theater. I was hanging out in my dressing room between shows and somebody came and told me that it was there. I went out and stood there looking at myself for a really long time.

Me, in that costume, had been a picture in my head for a while. To see it up in front of the building was something I can't describe. It was me, I was Cassie. It was unbelievable. But, there was a picture to prove it. While I was standing there 2 girls came up and asked me to take their picture standing in front of my picture. So, I did.

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Then I grabbed a stranger and asked him to take a picture of all of us standing there. We all posed. They sort of looked at me like I was a crazy New Yorker, and I said 'that's me, they just put my picture up! They were dumbfounded and it was really fun. Six months later one of my best friends called from the midwest. She was stagemanaging a show at a college and one of the girls in the chorus brought in pictures of her high school trip to New York and told everyone that story.

Small world, isn't it? I have lots of wonderful memories of the show. The first time that I played the role, the day we broke the record, an AIDS benefit after Michael died, closing night