Farida fahmy biography of william

Love in Karnak. Harami el waraka. I predoni del Sahara. Saher el nessaa. Credits Edit. Expand below. Previous Asiad we abied 4. Harami el waraka 5. Love in Karnak 7.

Farida fahmy biography of william: From Farida Fahmy and the

Heliopolis, at that time, was well planned, built in a unique architectural blend of Belgian and Moorish styles. It was self-contained, cosmopolitan, and homogeneous in nature and, above all, safe to live in and raise a family. We were a family of four: my father, mother, sister — six years older than me — and yours truly Melda. FR AR. Books Home Reviews News.

Dance-life adventure. Her Egyptian father, Hassan Fahmy, was something unique. I truly wish that I could have met him. Whether one is listening to intellectuals expand on his progressive and innovative thinking, or happening on one of his two generations of hundreds of impressed students working all over the world, you will hear of their respect for him and they will tell you about his funny stories.

He was a good leader and a coalescing force for a group of young, talented pioneers soon to change dance history and philosophy in Egypt.

Farida fahmy biography of william: In general, female entertainers,

There is no end to her interesting stories, observations, and recollections. I was privileged to live in their home in LA during the school week for two years, and I rarely heard the same story twice — unless I asked. In their childhood, Melda and her older, and only sister, Nadeeda, were very active in swimming in their Sporting Club.

Melda was the champion swimmer in Egypt for her age. When Farida was fifteen, Nadeeda married Mahmoud Reda. Mahmoud had been an Olympic gymnast. There was no Egyptian Dance Troupe at this time. She was 18 and he was Soon after their marriage, all consolidated their efforts and talent into the Reda Troupe. Mahmoud doing Argentinian dancing, when Egypt is so full of rich dances and rich folklore everywhere.

Melda recalls many family discussions about how Egypt should be proud of its folkloric dance. They agreed how exciting and beautiful it was in its natural state, and how wonderful it would be if brought to the stage. Ali Reda was the business, promotion, and planning director. Nadeeda designed costumes. Their father gave moral support and assisted in breaking social barriers.

It is something unusual to find, whether through marital ties or by friendship, so many talents in one group…The elements of this Reda and Fahmy family group were closely knit. We complimented each other, so the whole circle was complete. The nucleus of the circle is Mahmoud Reda. All of us together had one thing in mind; to have a dance troupe and to be able to tell people that dancing can be a fine art.

By group consensus a troupe was decided on. With Mahmoud and Farida as the male and female leads, students from the University, extended family, and gymnast friends made up the members of the new troupe and were rehearsed. A decision was made early on that they were not performing in night clubs and the usual dance locations. They were turned down by the theaters in town because the show included dance.

Her father, Hassan Fahmy, saved the day. He secured the Engineering Theater. There was a big problem about using this theater, but Hassan was a fighter for what he believed in. The University had already tried to force him to quit teaching because he was allowing his daughter to dance. He had fought and kept teaching. He got his way with the theater also.

The first night there were only men in attendance, which was culturally accepted as the proper audience to view dancing. The next night women started appearing in the audience. Journalists loved the idea and promoted the concept and the troupe. Also, he was promoting youth and vigor along with new ways of thinking. The Reda Troupe fit the bill.

Their films and performances were sell-outs and they became national stars. The idea of loving your roots and your culture and understanding everything about it was, at this time, being encouraged. In the American magazine, Ballet TodayVol. The famous Opera House in Cairo…has been filled these last two months November, December by audiences who have come to see the Reda Troupe…Professor Hassan Fahmy explained to me that until the troupe was founded in August,the profession of dancer was despised.

My family and friends were shocked when they learned that I was going to allow my daughter to dance on the stage.

Farida fahmy biography of william: Farida Moftah Fahmy, Ragheb Moftah's elder

I must confess that I was shocked when my daughter, Nadeeda, said she wanted to marry Mahmoud, but they convinced me, and now we have been convincing the public that dancing is an art. When the United Arab Republic announces that President Gamal Abdel Nasser is entertaining a state visitor with Egyptian dancers, it may sound as if he is reviving the decadent days of King Farouk.

But he is not. The Egyptian dance has undergone a revolutionary change. First, the Cairo belly dancer was ordered to cover her midriff. Now, what Mr. Egypt has been marked by millenia of dance history, with first depictions found on the walls of Pharaonic temples. As history progressed, this art form took many colors. However, by the midth century, Egyptian dance was usually identified with belly dancing and night clubs.

It was into this reality that Farida Fahmy was born in She married Ali Redawho founded the iconic troupe together with his brother, the choreographer and Olympic gymnast Mahmoud Reda Her presence is also translated through her official website where we can find articles on Egyptian dancing and the Reda Troupe in a total of 12 languages.

Fahmy turned 83 on 29 June, celebrating it away from the spotlight, but nonetheless enjoying well wishes from friends and pupils scattered around the world. On her birthday, I met Farida Fahmy to talk about her rich life and sparkling career. I gifted her the front page of Al-Ahram Newspaper from the day she was born intriggering many memories from this remarkable artist.

Ahram Online: What was the main value that you carried with you throughout your career? Farida Fahmy: I built my entire life and success on the concept of perfection that I learnt from my father, Hassan Fahmy [also a renowned university professor]. Leisure time is the enemy of success. In Reda Troupe we aimed for a profound impact and not the financial gains.

Both families, Fahmy and Reda, had a strong educational backbone and we lived life of good standard. Scientific thinking, commitment and high self-esteem are the best qualities that I inherited from my father and of course love is the most beautiful thing life gave to me. FF: He had an unforgettable impact on anyone who had known him. If it were not for him, we could not have founded the Reda Company.

He was the planner and the first financial and emotional supporter of this endeavor.