Biography of famous book writers in telugu
One will be surprised to know that the era of Modern Telugu Literature was born from Gurajada's pen and his "Kanyasulkam". Contributed by Palana. Unnava Lakshminarayana : Known for his famous novel Mala Palli The Harijan ColonyLakshminarayana was also an ardent freedom fighter who launched a crusade against untouchability. The novel combines within itself both social realism and spiritual idealism, a rare combination to be found in a single novel.
Rayaprolu Subba Rao : Rayaprolu is hailed as one of the pioneers of modern Telugu literature. Andhravali si considered as the watershad in Telugu literature for its modernity of themes such as naturalism, rural life, platonic love, a sense of history and fierce nationalism. Viswanatha Satyanarayan : Won the Jnanpith award for his Ramayana Kalpa Vriksham and is the author of more than a works.
Nori Narasimha Sastry : N. N Sastry was a poet, novelist, dramatist, essayist, critic and translator. A versatile and prolific writer, he laid his hands on all the literary genres, but it was the novel and particularly the historical novel which brought him fame and popularity. NarayanabattuRudramadevi and Mallareddiare are the major novels penned by him.
The uniqueness of his novels is that each novel has a great poet as its central character. Kodavatiganti Kutumba Rao : A prolific story writer, Rao produced stories. Tripuraneni Gopichand : Telugu novelist, short story writer, editor, essayist, playwright and film director, Gopichand's writings are ramarkable for an interplay of values, ideas and 'isms' -- materialism, rationalism, existentialism, realism and humanism.
This is the first psychological novel in Telugu literature. Srirangam Srinivasarao : Known for the landmark anthology Mahaprasthanam The Great MarchSrinivasarao was a pioneer of the progressive poetry in Telugu. His poetry took an amazing leap and astounding depth when he wrote the Desa Charitralu History of Nations. He was acknowkedged as Mahakavi of the New Proletarian Age.
Puttaparthi Narayanacharya : Narayanacharya was a front-ranking classical poet, literary critic, composer, musicologist, translator and polyglot. He has about 50 works of poetry to his credit. Considered an authority on the history and literature of the Vijaynagar period, he has written in Telugu extensively on Sanskrit, Prakrit, Tamil, Kannada and Malayalam literatures.
He has about musical compositions in Telugu and Sanskrit to his credit and of them have been notated by himself. He had the unique and ironic experience of having written a poetic work called Penugonda Lakshmi at the age of 14, prescribed as a text when he took the Vidwan examination in his thirtees. Shivathandavam The Cosmic Dance of Shiva is the most representative of his genius.
Vasireddy Seethadevi : Seetahdevi is an acclaimed writer in Telugu. She has published around 40 novels and 10 short story collections. Mattimanishi Son of Mother Earth is one of her best novels. The novel is a landmark in modern Telugu fiction. Yogi Vemana. Of Vemana's history, little is known. He was not a Brahmin but a capoo, or a farmer; a native of Cuddapah district and born, I believe, in the neighborhood of Gandicotta.
He lived in the beginning of the eighteenth century. It is said that in a verse he has fixed the date of birth which is believed to have been his own. This date coincides with A. The date is given in the cycle of sixty years; but which cycle is intended is unknown. Many verses, however, prove satisfactorily that he wrote in the latter part of the 17th century when the Mohamedans were governors of that part of India.
His family was powerful, but that he renounced the world and became a sanyasee or ascetic. He calls himself a yogee. The verses communicate hardly any idea of his history or connections, and like all solitary ascetics sanyasees or yogees he has dropped his family name - calling himself simply "Vemana" or "Vema" at pleasure. This solitary life has led him to address all the verses to himself, which, if this be not recollected, certainly looks like the grossest egotism.
This practice is far indeed from being peculiar to Vemana. The names Vema and Vemana do not appear to be used by the Telugus of the present day. Vema or Vemana in Sanskrit signify a loom. I believe these names to have been practical titles alone, without a definite meaning. His oeuvre includes poetry, novels, drama, short stories and speeches, covering a wide range of subjects such as analysis of history, philosophy, religion, sociology, political science, linguistics, psychology and consciousness studies, epistemology, aesthetics and spiritualism.
He was the first Telugu writer to receive Jnanpith Award in He was also felicitated with the Padma Bhushan. Dressed in silks and jewels, it has the head of a horse but the body of a human and speaks in an unknown tongue. Even a Sanskrit scholar, who realizes this might be a gandharva biography of famous book writers in telugu to earth, is puzzled.
Vishnu Sharma English Chaduvu Translated into English as Vishnu Sharma Learns English by Velcheru Narayana Rao In this hilarious satire, the scholar Vishnu Sharma โ who is believed to have written the Panchatantra โ and the 13th century poet Tikanna who translated the Mahabharata into Telugu appear first in dream form, and later as flesh-and-blood humans, to a Telugu lecturer, requesting that he teach them English.
What follows is a series of absurdities about English, its grammar, the disjunction between the way it is written and spoken, and the comparable superiority of Sanskrit. Pandita Parameswara Sastry Veelunamma enjoys the distinction of being the first Telugu novel to have won the Sahitya Akademi Award in It captivates the reader with a narrative technique of an omniscient narrator, multiple voices, letters and even diary entries.
The book brings out the debate on the use of the grandhik and the vyavaharik varieties of languages that took place in the early part of the twentieth century. This practice is far indeed from being peculiar to Vemana. The names Vema and Vemana do not appear to be used by the Telugus of the biography of famous book writers in telugu day.
Vema or Vemana in Sanskrit signify a loom. I believe these names to have been practical titles alone, without a definite meaning. Thus it is well known that the titles or names of Dante and Hafiz were not original names of those poets; the first of whom was named Durante or Durando and the second Muhammed Shemsuddin. These poems have attained very great popularity and parts are found translated into Tamil, Malayalam, and Kannada.
Their terse closeness of expression sometimes renders them difficult to translate with elegance, but such passages exemplify the manly force of a language that in the common dialect is often weak and verbose. Of his aphorisms many have become common proverbs. Parts of them are evidently close translations from Sanskrit works, particularly the Hitopadesa and Bhagavat Gita.
In a few of thes every word is pure Sanskrit. I entitled the Plato of India. Brown, manuscript Source : vEmana padyaalu Editor: bamgOreTTD Press, Excerpts from manuscript of C. Brown, contd. These verses are chiefly of 3 classes: moral, satirical, and mystic. In the morals, many verses occur, breathing a spirit of devotion truly extraordinary in a Hindu.
The satirical part is chiefly directed against the national religion and customs, particularly against Bramins. None of it is personal. The mystic portion is chiefly of use as exemplifying the powers of the language. The reveries contained in this chapter are of a strangely abstruse nature and furnish a remarkable instance of a powerful mind searching for the light of truth which is lost in the darkness of heathen ignorance.
The style of this and some other parts renders it easier to translate the verses into Latin than into English. I have, however, left none in Latin that appeared to deserve an English one. To the more difficult verses I have subjoined a Telugu interpretation. For some parts of this comment written in Telugu, I am indebted to 2 very learned Bramins who taught me the language, its grammar and prosody.
To the mystic portion I have appended such notes as appeared requisite. Further elucidations of the most ample nature will be found in the Bhagvat Gita with Dr. Wilkins's commentary and in Sir William Jones's essay on the mystical poetry. Poetry of the East appears in the third volume of the Asiatic Researches Most of the verses in Vemana are written in Ataveladi metre which consists of 4 lines, but the 4th line, with some exceptions, is a mere refrain or chorus in these words - viSvadaaBiraama vinura vEma.
It is perhaps impossible to meet with a complete copy of this poet in a manuscript of any antiquity. The principal sources from which this edition i compiled are nine. Few of these copies contain above verses, none came up to The number, however, that I have succeeded in collecting is Of the state of the manuscripts, it is not easy to give a correct idea.
Errors of the grossest nature in orthography, metre and rhyme deface every line, and erroneous words are substituted to elicit a sense that the transcribers thought proper to prefer. Thus they have eluded many of the difficulties in thought or expression and the corruption is indescribable in verse.
Biography of famous book writers in telugu: This articles talks about classical Telugu
Vemana having written the Tadbhava word guramu for gruhamu a house, the copyists in defiance of metre and meaning have gurramu, a horse. To remedy such errors I prepared a general index to my manuscripts, showing the place each verse occupies in each copy, for the verses in no two copies had the same arrangement. By this aid, the true reading has, I hope, seldom been lost, the correct metre I trust never - the most frequent corruptions were substitutions of Sanscrit terms in defiance of measure, for pure Telugu expressions.
To the remarks on mystic philosophy, I have subjoined a short explanation of Telugu prosody. The statements are taken from the Bheemana Chandassu but the arrangement and mode of explanation are my own. Sir William Jones has remarked on Panini that "since grammar is only an instrument, and not the end of true knowledge, there can be little occassion to travel so rough and gloomy a path.
The original is so mysteriously complex that the failure of most aspirants even among Bramins to a knowledge of prosody is not surprising. Create a free web site with Weebly. Gurajada's attempt to reform Telugu poetry by shedding old rules and styles reached a zenith with Sri Sri. SriSri's famous work "Maha Prastanam" is an instant hit with every corners of society.
Many writers followed his style and continue to enrich the literature. He was born in an orthodox Andhra Brahmin family. He is widely considered as the man who first brought about a renaissance in Telugu people and Telugu literature. Veeresalingam Panthulu is popularly called Gadya Tikkana. To him literature was an instrument to fight social evils.
Rayaprolu Subba Rao โ was among the pioneers of modern Telugu literature.
Biography of famous book writers in telugu: Sri Sri Paramahansa Yogananda |
He was inspired by the Western literary movement and brought romanticism into Telugu literature by breaking away from the traditional translations of Sanskrit literature. One patriotic verse by Subba Rao, " Edesamegina Endukalidina " also known as " Janmabhumi "is a perennial favourite, being regularly sung and recited. It was particularly popular for public events in the pre-Independence Andhra region.
The verse has been adapted many times into song for use in Telugu films. He is also acclaimed as a poet, composer and respected for his knowledge of Carnatic Music. His greatest achievement is the compositions in all the fundamental 72 melakarta ragas. His pen name is based on their family Gotra. His poetry is philosophical and intellectually satisfying.
Popularly known as Kaviraju, he is considered the first poet to introduce rationalism and humanism into Telugu poetry and literature. Ramaswamy chose literary writing as the vehicle for expressing his rationalist thoughts. His poetic work "Kuppuswamy Satakam" reveals the theme of social revolution and talks about social evils, blind faith, and indignity to man.
He was against Congress and its fight against independence. In his other works such as "Sambhukavadha", "Suthasrama geetaalu', 'Dhoorta maanava', 'Khooni', 'Bhagavadgita', 'Rana Pratap' and 'Kondaveeti patanam', he made a rational analysis of dogmas prescribed by ancient classics and the injustice these dogmas did to people belonging to the lower social orders.
Biography of famous book writers in telugu: Y.S. Vijaya Rajasekhar Reddy | 1
Moreover, he attacked discriminatory practices and fought against the idea of untouchability. Sambhuka Vadha created a lot of controversies. Sambhuka was a character who did tapas to go heaven with the live body before death. That was considered as adharma and was killed by Rama. This story was interpreted that Brahmins do not like doing tapas by non-Brahmins, which is why Sabhuka was killed.
The Paryavaran Kavitodyamam movement started in It states its aims as being to bring awareness and concern among not only the elite class but also the masses through creative forms of literature. The movement has literary activities including Harita Kata. Various poets and writers on environment have produced literature for the movement, with over writers participating in the Jagruthi Kiran Foundation.
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